There is no Property rights over creative works, such as books, music, art, sound recordings, films or broadcasts. Generally only the copyright owner, or someone who has their permission, can reproduce, publish, copy, perform or broadcast the works. in a work until it is in a ‘Any form of storage from which a copyright work can be reproduced.’. For example, there is no copyright in a poem composed in a poet’s mind, but not written down or otherwise recorded.
A work is considered to be in Relevant or important. For example, material evidence is something that helps to prove an argument in a criminal case. form if it is in any form of storage (whether visible or not) from which the work (or a substantial part of the work) can be reproduced (s 10(1)). This means that a work stored in digital form (e.g. on a hard drive) is in material form.
The material form of a work does not need to be permanent, but does need to be a form from which the work can be reproduced. For example, a An independent body that hears legal claims brought by parties and decides between them. Serious cases are heard by a judge and jury, or just a judge. Less-serious cases are heard by a magistrate. has held that part of a PlayStation game stored in the random access memory (RAM) of the console was not in material form because it could not be reproduced from the RAM.
The definitions of films, sound recordings and published editions in the Copyright A written law made by parliament. Also called an ‘Act of parliament’, ‘statute’ or legislation. are of objects having a material form, while broadcasts obviously cannot be in material form.
Section 32 of the Copyright Act requires a work to be original for copyright to exist. ‘Original’ in this context means that the work must have originated with the author, rather than having been copied from another source. A work does not need to be novel, creative or inventive in order to be original, and can be original even if derived from another work. For example, a translation into English of a French novel is an original literary work by the translator (although making the translation infringes the author’s copyright in the original novel if made without the author’s To agree to something being done, to approve an action or arrangement. See also informed consent.).
There is no requirement that sound recordings, films, broadcasts or published editions be original.
Courts have held than some works are not subject to copyright because they are ‘insubstantial’ in the sense of being too small. Single words and phrases (e.g. company names, advertising slogans, titles and newspaper headlines) have fallen into this class.
In 2009, the Federal Court ruled that copyright did not subsist in the words ‘Help – Help – Driver – in – Danger – Call – Police – Ph. 000’ (see Victoria v Pacific Technologies (Australia) Pty Ltd (No 2)  FCA 737). However, copyright has been held to exist in short works, such as a business letter of 100 words.
Expression, not ideas
There is no copyright in an idea, only in the way in which the idea is expressed. For this reason, there can be no copyright in a formula (unless it falls within the definition of a ‘computer program’), nor can there be copyright in a single item of information, such as a name or address.
However, where a number of items of information – none of which could be the subject of copyright by itself – are collected together, the whole collection may be the subject of copyright as a table or compilation. The test of whether copyright exists in a compilation is whether enough labour and skill have gone into the way in which information is expressed (as opposed to collecting the information) to justify treating it as an original work. For example, a database of known information about printer cartridge compatibility brought together in a particular convenient arrangement by an individual employee was an original work, because sufficient skill and judgment were used by the employee in selecting and arranging the information.
Also, a collection of short stories, where each is out of copyright, can be the subject of copyright as a result of the skill and taste involved in selecting the stories. The editor is the first owner of the copyright in such a collection.